A Trail of Breadcrumbs

by Susan Weinberg

Our last session began with an artwork by Chagall on the book of Ruth.  We had quickly identified it, drawing on our familiarity with his work, well within the frame of our knowledge. This session, Meryll held up an unfamiliar, but striking work, a papercut of the story of Ruth.  We were at a loss to name the artist (Diane Palley), this was unfamiliar territory, a precursor of our exploration of Judges which would take us outside of the frame of Ruth in order to better understand its meaning.

Meryll guided us to our first clue in the first line of Ruth 1:1 And it came to pass in the days when the judges judged, that there was a famine in the land. (handout-Ruth & Judges) "Anything unusual?" she asked.  We focused in on the doubling of the words, judges judged. Perhaps this doubling was intended to draw our attention. Was famine a judgment? A punishment?  The Hebrew word vayahi seemed a bit of a lament, much like oy vay, pointing us outside the frame of Ruth to the book of Judges.

We read through Judges 21:5-24, a difficult passage of murder and mayhem, unconscionable behavior. It began with a building of an altar, a violation of the religious rules. Then it progresses to murder and the kidnapping of virgins as wives. At the end of the passage  in Judges 21:25 the author adds his own judgment and our second clue: In those days there was no king in Israel; every man did that which was right in his own eyes.

The people of Israel were lacking leadership and immersed in both religious and moral chaos.

In Judges 1 we get yet another clue. The tribe of Judah is presented as a preeminent tribe.  Who is from the tribe of Judah?  Boaz.

Finally we turned to Baba Batra in the Talmud (handout-Ruth & Judges). Through a series of retorts, Rabbi Yohanan underscored the fact that those being judged were judging the judges. This was a time of chaos, a time without leadership.

Clues had been strewn across our path, a trail of breadcrumbs that led us to Bethlehem, where Ruth and Naomi were now housed. In fact, those breadcrumbs led to a house of bread, the meaning of the name Bethlehem. Our solution is implied by the commentator of Judges 21:25. We need  a king to offer strong leadership and of course Ruth birthed the line that led to David. We'd come full circle.  The story of Ruth was a precursor of a future where kindness, loyalty and recognition of the other were underscored. God sat back and let the people find their way, treating each other respectfully, with kindness and generosity. What began in famine led to abundance and sharing.

Still more clues were scattered within the story through the meaning of names. Ruth means friend, Boaz-strength, Naomi- pleasantness.  When Naomi first returns in her grief, she asks to be called Mara which means bitterness.My favorite though was Orpah, the back of the neck, what she turned to Naomi as she returned to her home in Moab.

Chagall's White Crucifixion

Mark Rothko Chapel

The second part of our session was devoted to artist-led sessions. Roslye Ultan led us in an exploration of Jewish artists, particularly as they crossed boundaries into more Christian imagery. We began with the quintessential Jewish artist, Chagall. We described his work as dreamlike, free of gravitational pull, often with animals and most certainly narrative. Roslye also referenced  Barnett Newman's Stations of the Cross and Mark Rothko's Chapel. Newman was interested in Kaballistic ideas and avoided "graven images" in his work.

We turned our attention to Chagall's White Crucifixion, one of over 30 crucifixions painted by Chagall. Here a talit is around his waist, perhaps hiding his circumcision  as in Christian iconography, yet here it is slyly covered with yet another Jewish symbol. The Christ figure is surrounded by imagery of the Wandering Jew, a rabbi fleeing with a torah and a burning synagogue. The cross is set in a beam of light. Is this a Christian story or has it perhaps been reclaimed? Chagall himself weighed in with these words, "For me, Christ has always symbolized the true type of the Jewish martyr." Chagall identified with Christ saying "Every day I carry a cross/ They push me and drag me by the hand/ Already the dark of night surrounds me/ You have deserted me, my God? Why? . . .I run upstairs/ To my dry brushes/ And am crucified like Christ/ Fixed with nails to the easel."

Barnett Newman's Stations of the Cross

Benito Quinauela Martin

La Boca

And now it was time to tango, or at least explore its history with Vivi Szleifer, assisted by  Rony Szleifer. Vivi took us into the world of the gauchos and Eastern European immigrants who populated Bueno Aires in the La Boca neighborhood, an area of meat packing houses filled with heat and stench. This world was captured by the artist Benito Quinauela Martin whose imagery reflects both the heat and the hard life, but also has a celebratory feel, filled with color and movement. Vivi spoke of the music that was later reflected in the music of tango, the guitar of the gaucho, the drums of African music. Originally the tango was danced by two men as if locked in mortal combat.  Women found their way into tango, often as prostitutes originally, and that mortal combat morphed into something else. In the 1920s and 30s singing was added. If you are interested in the Powerpoint on tango, click here.

As always our session covered a broad swath, from following a trail of clues in Ruth, to exploring the crossing of boundaries by Jewish artists, to entering the multicultural complex world of tango.

Upward Reaching

In response to my prior post on visualizing wisdom through artwork, I invited lab artists to share their thoughts on why they selected a particular image as representing wisdom.

Carolyn Light Bell shared her thoughts on why she selected the work of Milwaukee Artist Lab artist Berit Engen as expressing wisdom. The following work from left to right is Exile (By the River of Babylon), Yiddish Wisdom: If everyone pulled in the same direction, the whole world would fall down and Yiddish Wisdom: It is easier to guard a sack of fleas than a girl in love.

by Carolyn Light Bell

Berit Engen has depicted the upward reaching toward a greater energy. A supplication. Wisdom comes in knowing when and how to ask for help from powers greater than mine. The burning that comes from fire can be seen as both destruction and creation. Blueberries only grow from earth where fire has added nitrogen to the soil. In the same way, we bear new fruit from the death of our deeply-rooted hopes and dreams.

Ms. Engen’s work combines the elegance of Nordic design, which captures the order and simplicity of distilled natural beauty, with the movement and passion of Jewish experience, our constant striving toward God.

Her color and style are pleasing to the eye, capturing the insistent stretching up of all impulse. Her wisdom lies in knowing where to focus her talent—on what aspect of the human condition.

Rosyle Utan was particularly drawn to Barnett Newman's work and felt it expressed the concept of wisdom through challenging us to engage with the unknown. Below are her comments on her selection.

by Roslye Ultan

My response to making the selection of Barnett Newman, ONEMENT IV, 1953 (part of a series), for Art Lab discussion on the theme of wisdom – is/was indeed a formidable task. How does one begin to grasp in visual terms the ungraspable concept of wisdom? My first inclination was to go to the most expressive abstract works (Abstract Expressionism) of the Jewish painter/philosopher Barnett Newman—partly because our investigation is/was to search the annals of “Jewish” wisdom, and secondly because Newman did not try to offer an answer, but challenged us/the viewer to engage in a conversation with him/the art object in a vast spatial field unencumbered by any preconceived limitations. Rather, Newman offers/as well as seeks to understand the mystical inner workings of humankind through an ecstatic expanse of space into which he invites us to participate. I chose to go beyond what is known or seen into a more authentic source of primal inspiration – the awesome unknown/the place of doubt, of dreams, of myth which are conjured up when faced with a grand-field of intense blue divided by a white line (a Zip), me/you, struggling to find signs that might lead somewhere.

By Lynda Monik-Isenberg

I chose James Turrell's Skyspace in Austin Texas. It was an immediate reaction to the call Jay and I made for submissions. For me, James Turrell's artwork engages wisdom in intellectual, conceptual and emotional terms.  He 'provides' light the ephemeral substance that bring us life, that marks our days and actions, that allows us to 'see'; he isolates and focuses it and us - allowing his participants to consider light in its wholeness (color, shape, time, sustenance, insight...). The work is contemplative and quiet with meaning made by the participant. This piece reminds me  that wisdom is often simple, elegant, slow in coming and is born from interaction, reflection and quiet.

"My work is more about your seeing than it is about my seeing." --- James Turrell

Youtube video

Phil Rosenbloom contributed Rodin's Gates of Hell and offered these thoughts.   

by Phil Rosenbloom

I chose Rodin's Gates of Hell because it depicts Rodin's concept of the Artist's role in society.  In the middle towards the top sits "the thinker" and he looks down on the rest of humanity in the form of Rodin's interpretation of Dante's Inferno.  The artist's job is that of the thinker, looking, observing and thinking about the human condition.  











Image by Anabelle Dureau

By Ann Ginsburg Hofkin

I found this on the Internet.  It made me gasp a bit, since it is an image that portrays various elements, some of which may be difficult to define and impossible to contain. That is how I view the concept of wisdom...attempting an understanding of this is an enormous and exciting challenge.


 
Several offered Ted talks which elaborate to a much greater degree on the piece they selected.  Anita Konikoff who chose Crochet Coral Reef (right) provided the Ted talk below on her selection.  More images are available on this site.

And Paula Pergament offered this stunning Ted Talk by Jason deCaires Taylor which gives new meaning to wisdom as an interaction with nature and time.